Another full day today painting! I took off a bit early to soak in the hot tub. Perfect. Tomorrow we paint the figure, which will be a nice change of pace.
Here’s Camille’s first demo start (Wai’oli Hui’ia Church, 1912). The lighting conditions were overcast. You can see how she starts with flat masses of rich color. No modeling at this point. She also knows where she’s headed, eg, the far-right middle spot of Magenta will end up being a clump of trees. She’ll work green into it later, but for now she’s making it a rich red to bring it forward, and due to the fact that overcast days emit a cool light, which means warm shadows.
I really like the composition in her second demo. Again, the light conditions where overcast, so a cool light, warm shadows. Remember that everything is relative. She carefully placed color notes in relation to each other, both warm/cool and value.
As for my work today: the day shifted from cloudy to sunny every few minutes, so I split my canvas in half and worked back-and-forth, sometimes minutes apart! You really can’t paint “the light” if it’s constantly shifting, so if you’re painting in conditions like these, consider splitting your canvas, or bringing two to work on.
The sunny version on the left is just the start, it didn’t stay sunny long enough to finish. I’m happy with the gray day side. I went back-and-forth quite a bit between color spots to get them to harmonize and read (by value). Overcast days are a great time to learn, because you’re not “chasing the light”. Even so, the cloud cover varied quite a bit, so it was definitely a challenge.
Here’s the finish: