Sunday was foggy along the coast, but I was able to find something interesting to paint at San Gregorio State Beach. This beach is known for having plenty of driftwood, and beach-goers build really interesting huts and other structures there. It’s well worth a visit. This painting received a lot of comments on my Facebook page, so appears to be a winner! I think people are reacting to the simplicity of it. I hope you enjoy it.
We’re having kind of an odd Spring storm in San Francisco this Easter week, so I’m posting a study I painted a couple weeks ago at Baker Beach.
By the way, next week will be quite busy, as I’m looking forward to seeing many of you at the 2nd Annual Plein Air Convention & Expo in Monterey, CA.. I’ll be both painting a demo (using Arches’ Cobra solvent free oils, which was used to paint the seascape below), and I’ll be giving a talk on Social Media Marketing. I hope to see you there! Say hello!
What I love about being an artist is the opportunity to continually learn and explore. My focus recently is learning to use new and different materials. Royal Talens sent me a set of Cobra solvent-free oil paints to try, and these are my first results. The benefit is I don’t have to use solvents, which even though labeled “odor free” really are not, and it’s nice so nice to clean up with soap and water!
As I explore how to work with this paint, I’m find myself painting with a much thicker impasto technique–and I’m enjoying it! Trying new materials can push artists in new directions and open up new possibilities. I hope you enjoy these studies, all done in San Francisco.
Just recovered from a 5 day illness. It’s nice to have some energy to paint after being sick so long. This is from a reference photo of Montana De Oro, in San Luis Obisipo County. I paint this location for the annual plein air show at the San Luis Obispo Museum of Art. For this painting, my focus was getting the light/shadow colors just right on the bluffs. Trying to keep it simple. Everything else are supporting characters. Enjoy!
After a great week of painting (although, lots of work and some tough, 100-degree weather), my paintings for the San Luis Obispo Plein Air 2012 show at the SLO Museum of Art are ready to go! I need to choose three of these five for the show. I’ve listed them in order of my favorites first. What do you think?
[Update 10/5]: you’ve all convinced me, the last painting below (sunset) is in the show! Thanks for your feedback. It’s really difficult to judge my own work.
I’m so lucky to live in a city with so much beauty to paint! I’ve neglected it too long, often looking for inspiration in Carmel, the Central Coast, and elsewhere. I may eventually paint citiscapes again, but for now, enjoying the beauty of the coast. The only work not from San Francisco below is from Alta Lake, a friends home in The Sierras we get to visit a couple times a year. Enjoy!
I will be participating again this year in the San Luis Obispo Plein Air festival at the San Luis Obispo Museum of Art, October 1-7. I usually choose one area to focus on…not sure what it will be. In year’s past, I’ve focused on Avila Beach (cove) and the Rocky Point area (see below). Any suggestions? Let me know!
Here are works from previous years in this show. The painting below “Glowing Bluffs” will be my featured painting in the museum the week leading up to the show.
I think this is the longest period of time I’ve gone without blogging! Feels weird. I’ve a a busy couple months: started a remodel at home; and was hospitalized for kidney stones. No fun! Remember to drink lots of water…apparently, that’s how you can help avoid them.
This is my first painting after being out of commission for a couple weeks. Feels great to get back. I like this enough that I can see painting a larger studio work from it. Hope you enjoy it.
It has been an exhausting but inspiring and productive week preparing for the San Luis Obispo Plein Air show at the San Luis Obispo Museum of Art. The show opened today and runs throughout Sunday. Here are some of my works in the show. It was a week of dramatic weather, so I focused on that, particularly the clouds.
Sunset, Oil/Linen, 12×9
San Simeon, Oil/Linen, 12×16
After the Rain, Oil/Linen, 11×14
Rough Seas, Oil/Linen, 16×20
Sunrise, Oil/Linen, 11×14
One more Big Sur painting as I prepare to paint the central California coast for San Luis Obispo Plein Air next month. It was fun in this painting to abstract the distance obscured by fog. Let’s hope it’s not foggy when I’m there (although, hey, I’m getting lots of practice). I’m headed to The Sierras tomorrow, where the temperature is scheduled to range between 85-95! I plan to test out water color a bit more, to prepare for my trip to Sydney in November. Cheers!
As I start to prepare for the San Luis Obispo Plein Air show in October, I’ve been referring back to photos from my recent plein air painting trip to paint studio work. What struck me about this scene was the strong contrast between the sea and sun-lit land, much as represented in by Sorolla in his incredible works of the Spanish coast (like this one). It’s a meeting of two worlds, which is what interests me so much about seascapes.
This was pretty difficult to photograph, by the way. The water is deeper and more varied with subtle greens. It’s seems it’s difficult for the camera to pick up both those details and the subtle land colors at the same time.