Some very nice news today. I wrote a few days ago about the closing of long-time Half Moon Bay gallery, Eriksen. Well, local businesses are stepping up to help out displaced artist’s like me. When I got home, I received a voice-mail from Stephanie, the owner of a new restaurant called the Gazos Grille. She explained how she wants her place to be a reflection of local artists and talent of all kinds. She has live music on the weekends, and the restaurant is filled with local art and crafts. She sounded great. So, I’m going to meet with her next Sunday, see the place, and possibly show my art there.
I’m also going to approach the Garden Gallery in HMB, next door to Eriksen. I’ve always wanted to show there too, but have been loyal to Eriksen. They’re the first gallery to have shown my work, and that has meant a lot to me.
So, wish me luck! I’ll let you know how it goes.
PS. In the meantime, be sure and patronize this local place. They’ve got a heart: Gazos Grille, 5720 Cabrillo Hwy, Pescadero, CA 94060, (650) 879-0874.
Wheeler Canyon is in Santa Paula (Ventura County). It’s a really beautiful area, much of it unspoiled farms and ranches. In the 30’s and 40’s it was often visited and painted by some of the great early California impressionsists, including Cornelis & Jesse Arms Botke (who lived there).
I was inspired by the fact so many artists visited the canyon and found so much to capture. I’ve listed below some links to other artists’ works.
My partner, Mike, grew up in Santa Paula, and was always aware of the art history of the town. If fact, the town banker, Douglas Shively, wanted to be an artist but was forbidden by his father to do so as he was told he needed to run the family business. Nevertheless, Douglas Shively continued to paint, and has done some wonderful work. We have a large painting of his of Morro Bay. Some day, maybe I’ll do a post on him. He led an interesting life.
In the meantime, I hope you enjoy my painting of this historic location.
I’ve just finished Kevin MacPherson’s new book, “Reflections on a Pond“, and like all great art books it will be re-read many times until dog-eared and worn. That’s a complement! The book contains one painting for every day of the year of the view of a pond outside his home in New Mexico. Imagine, trying to come up with 365 paintings of the same scene! He pulls it off, and in so teaches a lesson about observation.
You can look at the same site, day after day, and see something different. Of course light changes, weather, and so on–and those changes are obvious. But the series of images demonstrate how the artist really brings the subject to life, by conveing a point of view, or an emotional response. I also found the book a good lesson in subtlety. You can see how incredibly sensitve the artist as by the careful observation and emotion in every paitning. I’ve been thinking of painting a similar series because I can see there are some real lessons to be learned here. There’s a good spot off 280/Edgewood Road that I’m considering, although it’s a rest stop, so not open 24×7. We’ll see. In the meantime, in the coming weeks, I’ll post some of my own paintings that hopefully show I’ve learend something from this great American master.
My show at Viewpoints Gallery is winding down. I’ve received lots of great feedback from attending artists, thank you! Most who attended commented that the paintings where at new level, and I really appreciate that. I worked hard on this show, and am proud of what went into it. Although I’ll be moving from the front wall on Jan 29, I’ll leave the paintings on another wall (near the desk) until at least the first week of February.
The next big event will be Open Studios (May 20/21), although I’ll continue to show at Viewpoints Gallery continuously.
I’m sad to report that the very first gallery to show my work, and the one that has sold the most over the years, is closing. Eriksen Gallery in Half Moon Bay was in business more than 30 years. Teresa Eriksen-Brown, togehter with her husband Gene and gallery staffer Daryll Quan, have been running the gallery since the death of Peggy Eriksen, the gallery founder.
Gene and Teresa really tried to find an owner that would continue to format of showing local, emerging Bay Area artists. Unfortunately, that was not to be. I hope you’ll join me in celebrating what was a great gallery, and wishing Darryl, Gene and Teresa the best moving forward.
When I’m out painting, I’m often asked “How long does it take you to paint that?” I know most people are well-meaning and just plain curious, but the reality is an entire lifetime of experience and years of training go into each work of art. You can’t translate two hours of work into an hourly rate. If you did, all artist’s would be rich! But guess what, the vast majority are poor. Why?
The simple answer is consistency. The greats can create great paintings, one after the other, while the rest (like me) will maybe decide to show 1 in 4 paintings in a gallery, and then go on to sell 1 in 4 of those. So, do the math 🙂 I had to paint approximately 1,400 paintings to paint this little masterpiece.
What does all this have to do with this painting? Well, it’s one of those real winners. One in which everything I’ve every learned came together at once. It practically “painted itself”. I often hear that phrase from artist’s when a painting is going well. Everything you’ve learned becomes automatic, and you’re able to respond in an emotional way to the subject. Not in a complex, overt way, but one of elegant simplicity. This is a simple painting–look how few colors there are–but to me, it just glows.
So, more to come! I’m still working on my Aspen Series, and hope to have them done for my show in January, 2006. I know this study is a winner, and will end up being a 20×24, or perhaps even bigger. I still have a 3’x5′ canvas crowding my studio, white as winter, ready for the glow of Fall.