Category Archives: Sketchbook

Brannes sketch, composition sample

Here’s another example of a sketch I do (before I paint!) to figure out the design/composition, and how the eye moves within the painting.  The asterisk represents the start point, and the arrows represent where I believe the eye will be lead.  The top-left composition is based on a triangle.  I think the eye will start at the top-right building (because it sits higher than the lines below it), the eye to follow down, and then lead back up either via the distant hills or the bottom of the hill line.


Leading the eye, Abbaye de Valsaintes

Before I start a painting, I think about design, and how the design leads the viewer’s eye around the painting. In these sketches from France, I looked for patterns of dark/light that form interesting shapes. They eye is attracted to areas of great contrast, so that makes a good starting point, or focal point for the image. I trace how I’d expect the eye to travel from the focal paint, in a pattern that stays within the picture. In these small sketches, I also capture the direction of light (as represented by the small sun, where the sun rays remind where the direction of light).

I have sketch books filled with images like these. It’s great to look back at them and again wander the beautiful villages of the south of France.

Sketches of France

Planning a painting

Since I’ve been on the subject of technique lately, here’s something I learned from Barry John Raybould–use of the notan sketch. The notan sketch is a great way to try out several different compositions of design, based on a 4-value plan. Why not do this before committing to paint?

I use 3 felt tip pens by Tombo, a black, medium grey, light grey, and white for the lightest value. I’ll try different combinations out, and see what works. I’ll often note below what I like or don’t like about the design.

Each row below represents a painting, for which I tried out three different designs. Try it!